The crazy adventure of “Lady Liberty”
Paris. The exhibition-file “Auguste Bartholdi” presented at the Musée d’Orsay is intended to be modest: it includes around a hundred…
The aesthetic transition at Fundación March: the thousand discoveries
To date, exhibitions dedicated to specific decades or specific aspects of Spanish art had been organized after the establishment…
The aesthetic transition at Fundación March: the thousand discoveries
To date, exhibitions dedicated to specific decades or specific aspects of Spanish art had been organized after the establishment…
The five years of KBr Flame and forms of resistance
The KBr Flama program has been running for five years, which the Mapfre Foundation started in 2021 with the…
Ricardo de Madrazo at the Prado Museum, the inspiration of the trip
Federico was his father, Raimundo his brother and Mariano Fortuny his brother-in-law: in the Madrazo constellation, Ricardo had many…
Tintoretto, the touch of freedom
Paris. “It’s Michelangelo’s drawing, with Titian’s color, but above all, it’s the strength of the painting. See the touches with…
A renovated Goya Museum opens its doors
Today is a day of celebration in Zaragoza: after a little more than a year and a half closed…
Cristina Garrido in La Casa Encendida: the clock of value
Eleven years ago Cristina Garrido was one of the winners of the contest Generationsconvened by the Montemadrid Foundation, with…
Steve MᶜQueen meets Bowie and Nina Simone
Almost seventy years ago, in 1957, Anna Magnani, Anthony Queen and Anthony Franciosa formed a love triangle full of…
The Gwangju Biennale, an injunction for change
Gwangju (South Korea). Inaugurated on September 5 the 16th edition of the Gwangju Biennale is distinguished by its tight format,…
Active and absorbent: the Bank of Spain shows its textiles
Those who were able to know Anni Albers personally said that the German artist maintained a relationship with the…
“Cezanne and us”, lacking instructions
Paris. Sized for the Grand Palais, “Cezanne and us”, this “exhibition of all superlatives”, according to Claire Bernardi, co-curator with…